Mark the letter A, B, C, or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

It is (A) interested (B) to compare the early stylized art forms (C) of ancient civilizations (D) with the modem abstract forms of art.

A. interested

B. to compare

C. of

D. with

Mark the letter A, B, C, or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

It is (A) interested (B) to compare the early stylized art forms (C) of ancient civilizations (D) with the modem abstract forms of art.

A. interested 

B. to compere 

C. of 

D. with

Mark the letter A, B, C, or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions.

It is (A) interested (B) to compare the early stylized art forms (C) of ancient civilizations (D) with the modem abstract forms of art.

A.interested

B. to compare

C.of

D.with 

Mark the letter A, B, C, or D on your answer sheet to show the underlined part that needs correction in each of the following questions.
It is interested to compare the early stylized art forms of ancient ivilizations with the modern abstract forms of art.

A.ancient

B.interested

C.early stylized

D. with

Read the following passage and mark the letter A, B, C or D on your answer sheet to  indicate the correct answer to each of the questions from  39 to 46.

       The term  “art deco” has come to  encompass  three distinct but related design trends  of the 1920‘s and 1930‘s.  The  first  was  what  is  frequently  referred  to  as  “zigzag  moderne”  –the  exotically  ornamental style of such skyscrapers as the Chrysler Building   in New York City and related structures such as the Paramount  Theater  in  Oakland,  California.  The  word  “zigzag” alludes  to  the  geometric  and  stylized ornamentation of  zigzags, angular patterns, abstracted plant and animal  motifs,  sunbursts, astrological imagery, formalized fountains, and related themes that were applied in mosaic relief  and mural form to the exterior and interior of the buildings. Many of these buildings were   shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower that recedes in progressively smaller stages to the summit, creating a staircase-like effect.

        The second manifestation of art deco was the 1930‘s  “streamlined moderne” style—a  Futuristic-looking aerodynamic  style of rounded corners and  horizontal  bands known as  “speed  stripes” In architecture, these  elements were frequently accompanied by round  windows, extensive use of glass block, and flat rooftops.

        The third style, referred to as    “international  stripped classicism”  also came to the forefront  during the Depression,  a  period  of  severe  economic  difficult  in  the  1930‘s.  This  was  a  more  conservative  style, blending  a  simplified  modernistic  style  with  a  more  austere  form  of  geometric  and  stylized  relief sculpture  and  other  ornament,  including  interior  murals.  May  buildings  in  this  style  were  erected  nationwide through government programs during the Depression .

       Although  art  deco  in  its  many  forms  was  largely  perceived  as  thoroughly  modern,  it  was  strongly influenced  by  the  decorative  arts  movements  that  immediately  preceded   it.  For  example,  like  “art nouveau”  (1890-1910),  art  deco  also  used  plant  motifs,  but   regularized  the  forms  into  abstracted repetitive  patterns  rather  than  presenting  them  as  flowing,  asymmetrical  foliage,  Like  the  Viennese craftspeople of the Wiener Werkstatte,  art deco designers worked with exotic materials, geometricized shapes, and colorfully ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England  and  the  United  States,  art  deep  practitioners  considered  it  their  mission  to  transform  the domestic environment through well-designed furniture and household accessories.

In line 8, the author mentions “an ancient Mesopotamian temple tower” in order to ……….

A. describe the exterior shape of certain “art  deco” buildings

B. explain the differences between ancient  and modern architectural steles

C. emphasize the extent of architectural advances

D. argue for a return to more traditional  architectural design

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

The term “art deco” has come to encompass three distinct but related design trends of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag moderne” – the exotically ornamental style of such skyscrapers as the Chrysler Building in New York City and related structures such as the Paramount Theater in Oakland, California. The word “zigzag” alludes to the geometric and stylized ornamentation of zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological imagery, formalized fountains, and related themes that were applied in mosaic relief and mural form to the exterior and interior of the buildings. Many of these buildings were shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower that recedes in progressively smaller stages to the summit, creating a staircase-like effect.

            The second manifestation of art deco was the 1930’s “streamlined moderne” style—a Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as “speed stripes.” In architecture, these elements were frequently accompanied by round windows, extensive use of glass block, and flat rooftops.

            The third style, referred to as “international stripped classicism” also came to the forefront during the Depression, a period of severe economic difficult in the 1930’s. This was a more conservative style, blending a simplified modernistic style with a more austere form of geometric and stylized relief sculpture and other ornament, including interior murals. May buildings in this style were erected nationwide through government programs during the Depression .

            Although art deco in its many forms was largely perceived as thoroughly modern, it was strongly influenced by the decorative arts movements that immediately preceded it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but regularized the forms into abstracted repetitive patterns rather than presenting them as flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte, art deco designers worked with exotic materials, geometricized shapes, and colorfully ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement inEnglandand theUnited States, art deep practitioners considered it their mission to transform the domestic environment through well-designed furniture and household accessories.

In line 8, the author mentions “an ancient Mesopotamian temple tower” in order to __________ .

A. emphasize the extent of architectural advances

B. explain the differences between ancient and modern architectural steles

C. describe the exterior shape of certain “art deco” buildings

D. argue for a return to more traditional architectural design

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

The term “art deco” has come to encompass three distinct but related design trends of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag moderne” – the exotically ornamental style of such skyscrapers as the Chrysler Building in New York City and related structures such as the Paramount Theater in Oakland, California. The word “zigzag” alludes to the geometric and stylized ornamentation of zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological imagery, formalized fountains, and related themes that were applied in mosaic relief and mural form to the exterior and interior of the buildings. Many of these buildings were shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower that recedes in progressively smaller stages to the summit, creating a staircase-like effect.

            The second manifestation of art deco was the 1930’s “streamlined moderne” style—a Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as “speed stripes.” In architecture, these elements were frequently accompanied by round windows, extensive use of glass block, and flat rooftops.

            The third style, referred to as “international stripped classicism” also came to the forefront during the Depression, a period of severe economic difficult in the 1930’s. This was a more conservative style, blending a simplified modernistic style with a more austere form of geometric and stylized relief sculpture and other ornament, including interior murals. May buildings in this style were erected nationwide through government programs during the Depression .

            Although art deco in its many forms was largely perceived as thoroughly modern, it was strongly influenced by the decorative arts movements that immediately preceded it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but regularized the forms into abstracted repetitive patterns rather than presenting them as flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte, art deco designers worked with exotic materials, geometricized shapes, and colorfully ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement inEnglandand theUnited States, art deep practitioners considered it their mission to transform the domestic environment through well-designed furniture and household accessories.

According to the passage, which of the following statements most accurately describes the relationship between art deco and art nouveau?

A. Art deco became important in theUnited Stateswhile art nouveau became popular inEngland.

B. Art nouveau preceded art deco and influenced it.

C. They were art forms that competed with each other for government support during the depression era.

D. They were essentially the same art form.

Read the following passage and mark the letter A, B, C or D on your answer sheet to  indicate the correct answer to each of the questions from  39 to 46.

       The term  “art deco” has come to  encompass  three distinct but related design trends  of the 1920‘s and 1930‘s.  The  first  was  what  is  frequently  referred  to  as  “zigzag  moderne”  –the  exotically  ornamental style of such skyscrapers as the Chrysler Building   in New York City and related structures such as the Paramount  Theater  in  Oakland,  California.  The  word  “zigzag” alludes  to  the  geometric  and  stylized ornamentation of  zigzags, angular patterns, abstracted plant and animal  motifs,  sunbursts, astrological imagery, formalized fountains, and related themes that were applied in mosaic relief  and mural form to the exterior and interior of the buildings. Many of these buildings were   shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower that recedes in progressively smaller stages to the summit, creating a staircase-like effect.

        The second manifestation of art deco was the 1930‘s  “streamlined moderne” style—a  Futuristic-looking aerodynamic  style of rounded corners and  horizontal  bands known as  “speed  stripes” In architecture, these  elements were frequently accompanied by round  windows, extensive use of glass block, and flat rooftops.

        The third style, referred to as    “international  stripped classicism”  also came to the forefront  during the Depression,  a  period  of  severe  economic  difficult  in  the  1930‘s.  This  was  a  more  conservative  style, blending  a  simplified  modernistic  style  with  a  more  austere  form  of  geometric  and  stylized  relief sculpture  and  other  ornament,  including  interior  murals.  May  buildings  in  this  style  were  erected  nationwide through government programs during the Depression .

       Although  art  deco  in  its  many  forms  was  largely  perceived  as  thoroughly  modern,  it  was  strongly influenced  by  the  decorative  arts  movements  that  immediately  preceded   it.  For  example,  like  “art nouveau”  (1890-1910),  art  deco  also  used  plant  motifs,  but   regularized  the  forms  into  abstracted repetitive  patterns  rather  than  presenting  them  as  flowing,  asymmetrical  foliage,  Like  the  Viennese craftspeople of the Wiener Werkstatte,  art deco designers worked with exotic materials, geometricized shapes, and colorfully ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement in England  and  the  United  States,  art  deep  practitioners  considered  it  their  mission  to  transform  the domestic environment through well-designed furniture and household accessories.

The word “encompass” in line 1 is closest in meaning to …………

A. separate 

B. include     

C. replace      

D.  enhance

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

The term “art deco” has come to encompass three distinct but related design trends of the 1920’s and 1930’s. The first was what is frequently referred to as “zigzag moderne” – the exotically ornamental style of such skyscrapers as the Chrysler Building in New York City and related structures such as the Paramount Theater in Oakland, California. The word “zigzag” alludes to the geometric and stylized ornamentation of zigzags, angular patterns, abstracted plant and animal motifs, sunbursts, astrological imagery, formalized fountains, and related themes that were applied in mosaic relief and mural form to the exterior and interior of the buildings. Many of these buildings were shaped in the ziggurat form, a design resembling an ancient Mesopotamian temple tower that recedes in progressively smaller stages to the summit, creating a staircase-like effect.

            The second manifestation of art deco was the 1930’s “streamlined moderne” style—a Futuristic-looking aerodynamic style of rounded corners and horizontal bands known as “speed stripes.” In architecture, these elements were frequently accompanied by round windows, extensive use of glass block, and flat rooftops.

            The third style, referred to as “international stripped classicism” also came to the forefront during the Depression, a period of severe economic difficult in the 1930’s. This was a more conservative style, blending a simplified modernistic style with a more austere form of geometric and stylized relief sculpture and other ornament, including interior murals. May buildings in this style were erected nationwide through government programs during the Depression .

            Although art deco in its many forms was largely perceived as thoroughly modern, it was strongly influenced by the decorative arts movements that immediately preceded it. For example, like “art nouveau” (1890-1910), art deco also used plant motifs, but regularized the forms into abstracted repetitive patterns rather than presenting them as flowing, asymmetrical foliage, Like the Viennese craftspeople of the Wiener Werkstatte, art deco designers worked with exotic materials, geometricized shapes, and colorfully ornate patterns. Furthermore, like the artisans of the Arts and Crafts Movement inEnglandand theUnited States, art deep practitioners considered it their mission to transform the domestic environment through well-designed furniture and household accessories.

The phrase “came to the forefront” in line 15 is closest in meaning to _________ .

A. went through a process

B. grew in complexity

C. changed its approach

D. became important