Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 61 to 65.

The Origin of Jeans

In 1853, the California gold rush was in full swing and everyday items were in short supply. Levi Srrauss, a 24-year-old German immigrant, left New York for San Francisco with a small supply of dry goods with the intention of opening a branch of his brother’s New York dry goods business. Shortly after his arrival, a prospector wanted to know what Mr. Strauss was selling. When Strauss told him he had rough canvas cloth to use for tents and wagon covers, the prospector said, “You should have brought trousers!”, because he couldn’t find a pair of trousers strong enough to last.

Levi Strauss had the canvas made into work trousers. Miners liked the trousers, but complained that the fabric was not very comfortable and tended to chafe. Levi Strauss substituted the canvas with a twilled cotton cloth from France called “serge de Nimes.” The fabric later became known as denim and the trousers were nicknamed blue jeans. Then Levi Strauss and Nevada tailor David Jacobs co-patented the process of putting small metal rivets in places such as the sides of the pockets that needed extra strength. On May 20, 1873, they received U.S. Patent No. 139.121 This date is now considered the official birthday of“blue jeans”

But why were they called blue jeans? Denim is unique in its singular connection with one color. It is made from thread that is traditionally dyed with the blue pigment obtained from indigo dye. Indigo was linked with practical fabrics and work clothing. The durability of indigo as a color and its darkness of tone made it a good choice when frequent washing was not possible.

What was Levi Strauss ’job?

A. He was a clothes designer.

B. He was a prospector.

C. He was selling textiles and clothing.

D. He was selling tools for gold mining.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 61 to 65.

The Origin of Jeans

In 1853, the California gold rush was in full swing and everyday items were in short supply. Levi Srrauss, a 24-year-old German immigrant, left New York for San Francisco with a small supply of dry goods with the intention of opening a branch of his brother’s New York dry goods business. Shortly after his arrival, a prospector wanted to know what Mr. Strauss was selling. When Strauss told him he had rough canvas cloth to use for tents and wagon covers, the prospector said, “You should have brought trousers!”, because he couldn’t find a pair of trousers strong enough to last.

Levi Strauss had the canvas made into work trousers. Miners liked the trousers, but complained that the fabric was not very comfortable and tended to chafe. Levi Strauss substituted the canvas with a twilled cotton cloth from France called “serge de Nimes.” The fabric later became known as denim and the trousers were nicknamed blue jeans. Then Levi Strauss and Nevada tailor David Jacobs co-patented the process of putting small metal rivets in places such as the sides of the pockets that needed extra strength. On May 20, 1873, they received U.S. Patent No. 139.121 This date is now considered the official birthday of“blue jeans”

But why were they called blue jeans? Denim is unique in its singular connection with one color. It is made from thread that is traditionally dyed with the blue pigment obtained from indigo dye. Indigo was linked with practical fabrics and work clothing. The durability of indigo as a color and its darkness of tone made it a good choice when frequent washing was not possible.

What is the purpose to this text?

A. to sell a product

B. to solve a problem

C. to argue a point

D. to inform

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 61 to 65.

The Origin of Jeans

In 1853, the California gold rush was in full swing and everyday items were in short supply. Levi Srrauss, a 24-year-old German immigrant, left New York for San Francisco with a small supply of dry goods with the intention of opening a branch of his brother’s New York dry goods business. Shortly after his arrival, a prospector wanted to know what Mr. Strauss was selling. When Strauss told him he had rough canvas cloth to use for tents and wagon covers, the prospector said, “You should have brought trousers!”, because he couldn’t find a pair of trousers strong enough to last.

Levi Strauss had the canvas made into work trousers. Miners liked the trousers, but complained that the fabric was not very comfortable and tended to chafe. Levi Strauss substituted the canvas with a twilled cotton cloth from France called “serge de Nimes.” The fabric later became known as denim and the trousers were nicknamed blue jeans. Then Levi Strauss and Nevada tailor David Jacobs co-patented the process of putting small metal rivets in places such as the sides of the pockets that needed extra strength. On May 20, 1873, they received U.S. Patent No. 139.121 This date is now considered the official birthday of“blue jeans”

But why were they called blue jeans? Denim is unique in its singular connection with one color. It is made from thread that is traditionally dyed with the blue pigment obtained from indigo dye. Indigo was linked with practical fabrics and work clothing. The durability of indigo as a color and its darkness of tone made it a good choice when frequent washing was not possible.

Where did the word “denim” come from?

A. the name of a French fabric.

B. the indigo color

C. David Jacobs, the tailor, thought of it

D. Levi Strauss invented it

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 61 to 65.

The Origin of Jeans

In 1853, the California gold rush was in full swing and everyday items were in short supply. Levi Srrauss, a 24-year-old German immigrant, left New York for San Francisco with a small supply of dry goods with the intention of opening a branch of his brother’s New York dry goods business. Shortly after his arrival, a prospector wanted to know what Mr. Strauss was selling. When Strauss told him he had rough canvas cloth to use for tents and wagon covers, the prospector said, “You should have brought trousers!”, because he couldn’t find a pair of trousers strong enough to last.

Levi Strauss had the canvas made into work trousers. Miners liked the trousers, but complained that the fabric was not very comfortable and tended to chafe. Levi Strauss substituted the canvas with a twilled cotton cloth from France called “serge de Nimes.” The fabric later became known as denim and the trousers were nicknamed blue jeans. Then Levi Strauss and Nevada tailor David Jacobs co-patented the process of putting small metal rivets in places such as the sides of the pockets that needed extra strength. On May 20, 1873, they received U.S. Patent No. 139.121 This date is now considered the official birthday of“blue jeans”

But why were they called blue jeans? Denim is unique in its singular connection with one color. It is made from thread that is traditionally dyed with the blue pigment obtained from indigo dye. Indigo was linked with practical fabrics and work clothing. The durability of indigo as a color and its darkness of tone made it a good choice when frequent washing was not possible.

Which best describes indigo dye?

A.  A long lasting, practical color that did not show dirt.

B. A color used on all kinds of fabric to make the fabric stronger.

C.  A very rare and desirable color that was difficult to create.

D.  An affordable dark color that was only used by poor people.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 36 to 42.

          Mickey Mantle was one of the greatest baseball players of all time. He played for the New York Yankees in their years of glory. From the time Mantle began to play professionally in 1951 to his last year in 1968, baseball was the most popular game in the United States. For many people, Mantle symbolized the hope, prosperity, and confidence of America at that time.

          Mantle was a fast and powerful player, a “switch-hitter” who could bat both right-handed and left-handed. He won game after game, one World Series championship after another, for his team. He was a wonderful athlete, but this alone cannot explain America’s fascination with him.

          Perhaps it was because he was a handsome, red-haired country boy, the son of a poor miner from Oklahoma. His career, from the lead mines of the West to the heights of success and fame, was a fairy-tale version of the American dream. Or perhaps it was because America always loves a “natural”: a person who wins without seeming to try, whose talent appears to come from an inner grace. That was Mickey Mantle.

          But like many celebrities, Mickey Mantle had a private life that was full of problems. He played without complaint despite constant pain from injuries. He lived to fulfill his father’s dreams and drank to forget his father’s early death.

          It was a terrible addiction that finally destroyed his body. It gave him cirrhosis of the liver and accelerated the advance of liver cancer. Even when Mickey Mantle had turned away from his old life and warned young people not to follow his example, the destructive process could not be stopped. Despite a liver transplant operation that had all those who loved and admired him hoping for a recovery, Mickey Mantle died of cancer at the age of 63

According to the passage, Mantle could________

A. hit the ball to score from a long distance

B. bat better with his left hand than with his right hand

C. hit with the bat on either side of his body

D. give the most powerful hit in his team

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

c started walking down the street. He stopped, (26)______ his hand with a strange object in it, put it to his ear and started to talk into it. This was the beginning of mobile phone (27)_______, more than 30 years ago. That man was Motorola's project manager, Martin Cooper, who was (28)______ his 34th birthday that day. The strange object was the first mobile phone, which was nicknamed "the shoe" because of its unusual (29)_______. Mr. Cooper had gone to New York to introduce the new phone. The first call he made was to his rival, Joe Engel at AT&T's research centre. Engel was responsible for the development of the radiophones for cars. "I called him and said that I was talking on a real mobile phone (30)_____ I was holding in my hand," said Cooper. "I don't remember what he said in reply, but I'm sure he wasn't happy." The quality of the call was very good, because although New York had only one base station at that time, it was being used by only one user - Martin Cooper.
Question 29:

A. kind

B. shape

C. type

D. symbol

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.

Born in 1882,  by the age of 17 he had already decided to become an artist. He attended the New York School of Illustrating, followed by the New York School of Art, where he bacame familiar with many leading figures such as William Merritt Chase and Robert Henri, founders of American Realism.

[1] Hopper was slow to develop compared with other young artists of that time, remaining at the New York School of Art for seven years. [2] Like the majority of young American artists of the period, he longed to study in France and left for Paris in October of 1906. [3] Indeed, this was a great influence upon the history of the modern movement in America, but Hopper later claimed that its effect on him was minimal. [4]

According to the passage, which of the following events probably had the greatest effect on Hopper as an artist?

A. being America’s best known realist painter

B. attending the New York School of Illustrating

C. attending the New York School of Art

D. studying in Paris

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.

Born in 1882,  by the age of 17 he had already decided to become an artist. He attended the New York School of Illustrating, followed by the New York School of Art, where he bacame familiar with many leading figures such as William Merritt Chase and Robert Henri, founders of American Realism.

[1] Hopper was slow to develop compared with other young artists of that time, remaining at the New York School of Art for seven years. [2] Like the majority of young American artists of the period, he longed to study in France and left for Paris in October of 1906. [3] Indeed, this was a great influence upon the history of the modern movement in America, but Hopper later claimed that its effect on him was minimal. [4]

According to the reading, what is true of Hopper’s trip to France?

A. It did not have a significant impact on his work

B. It may have had a major influence on his career

C. It included Robert Henri as a companion

D. It was the most exciting moment of his life

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.

Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.

Born in 1882,  by the age of 17 he had already decided to become an artist. He attended the New York School of Illustrating, followed by the New York School of Art, where he bacame familiar with many leading figures such as William Merritt Chase and Robert Henri, founders of American Realism.

[1] Hopper was slow to develop compared with other young artists of that time, remaining at the New York School of Art for seven years. [2] Like the majority of young American artists of the period, he longed to study in France and left for Paris in October of 1906. [3] Indeed, this was a great influence upon the history of the modern movement in America, but Hopper later claimed that its effect on him was minimal. [4]

A. the New York School of Illustrating and New York School of Art

C. the chief instructor at New York School of Art

D. William Merritt Chase and Edward Hopper